Title: The Three Musketeers
Summary: Based on the classic novel, Dumas’ story of the young Gascon d’Artagnan who goes to Paris to become a Musketeer and serve the king, and how he befriends Athos, Porthos, and Aramis, and they have to save the king of France from being assassinated. Only this version is extremely Disney-fied!
Tagline: All for one and one for all!
Though, honestly, the other two that were used for a poster and video packaging, respectively, crack me up:
A place of betrayal. The fate of a king. A time for heroes. (Considering this movie wasn’t even filmed in Paris, let alone in France…)
They’re Scoundrels, Playboys, Outlaws . . . The Greatest Heroes Who Ever Lived. (This literally sounds like a MCU tagline. All those things describe Tony Stark.)
Book!Aramis was a complete playboy scoundrel and the Musketeers technically turn outlaw… I’m lost on the “place of betrayal” part, though.
Note: I have seen this movie many more times than an average viewer. Something like 75 times, at least 3 times in an actual movie theater, during its original release. Yes, I have a problem.
A problem named Sutherland.
Oh, and I will likely make the distinction of book!CHARACTER to keep them separate from the film version, through out the recap. Because book vs movie is rather important to understand how much different the version you’re watching is compared to the actual novel.
The 1990s were a weird time for movies churned out by Disney. Instead of a bunch of animated films (this was just when Pixar really kicked into gear, but who really remembers A Bug’s Life?) they were releasing a bunch of family-friendly live-action films. Stuff like White Fang, Wild Hearts Can’t Be Broken, The Rocketeer, Newsies, [Wing: Newsies is one of my favourite movies!] The Mighty Ducks (and its subsequent sequels [Dove: Bagsie I get to recap them!]), and Hocus Pocus, to name a few. [bat: Okay, Wing recap Newsies, Dove recap Mighty Ducks, and I’ll recap Hocus Pocus! THEN WE CAN CROSS-COMMENT ON EVERYTHING!]
The first three years of the 1990s saw only four animated films released compared to 14 live action films. Granted, animated movies take longer, so that’s probably why. Even today that’s still true, although computer animation is much more widely used compared to the tiny bit we were all dazzled by during the ballroom sequence in Beauty and the Beast in 1992.
Also of note would be the part where Disney was pulling from classic literature and interesting life stories. Wild Hearts Can’t Be Broken is based on a true story; White Fang is a Jack London novel. There were real news boys in NYC and they held a strike in 1899 but I don’t think they sang and danced while doing it. [Dove: I have only just got a copy of this, because it’s called “The News Boys” over here. I have no idea why the name was changed, but Dean Portman from Mighty Ducks will sing!] [Wing: His role is fairly small but completely delightful. Oh, god, I could talk about Newsies for hours. Carryin’ the banner, y’all.]
Alexandre Dumas’ The d’Artagnan Romances, which is the encompassing name given to all the stories Dumas penned about the 17th century musketeers and their adventures, is really, really long. Most people are familiar with The Three Musketeers, the first of the stories that runs sometimes over 700 pages in length, which introduces us to d’Artagnan and tells the story of how he becomes a member of the King’s Musketeers.
Like Disney was going to actually stick to the actual story. Based on real events and persons, it is not… shall we say… “family friendly”. There’s a ton of intrigue and romantic/sexual affairs, and murder plots, all set within the court of King Louis XIII of France.
There’s also about a billion and a half (slight exaggeration) characters with enormous French names and titles. Keeping track of it all is only slightly less harder then knowing who’s who on Game of Thrones. It’s taken me a long time to really understand it, and that’s just based on half-hearted effort to read wiki articles and such, and admittedly it interests me to a fault. Your average reader? Probably not so much.
So, Disney being Disney, stripped the story line down to its basic and most “family friendly” elements. Gone are the Musketeer’s menservants, gone is Kitty and Constance’s husband, no one needs you Monsieur de Tréville! (Who is actually awesome in the BBC’s adaptation, The Musketeers.) Everyone else was either toned down or given amped up traits: Athos is the serious broken-hearted alcoholic, Porthos is the larger-than-life comic relief (although he is in the book, as well), and Aramis’ philandering ways are severely reined in.
Which, in light of what happened with Charlie Sheen, is rather funny in a dark way. Sutherland’s legal troubles with DUIs would happen after this film, so again, life and art have many blurred lines.
There’s a lot more I could get into about all this but I’d rather incorporate it into the recap, so there’s some reference that can be of aid to you, readers. It’ll help, trust me.
One last thing: most of the main cast had either previously worked for Disney at some point or subsequently went on to do something else with them after this film. Basically, once you get in bed with the House of Mouse, you never really get out again. (Well, Sheen might be the exception…)
Onward! To the recap!
[Dove: I love this movie. Oliver Platt is awesome, and I swear to god, he played this role as if he knew that gifs would be a thing one day. Also, Michael Wincott is probably my longest-running crush. He’s wonderful.] [bat: Dove, you REALLY must see Forsaken. Wincott saves that movie from being a total bore.]
[Wing: This movie is so much cheesy fun, and also full of attractive people, or at least people who are attractive in this movie even if not elsewhere.]