Summary: The Ponies are terrible slobs and fail to do any upkeep or property improvement on their vast land holdings, so Paradise Estate (and its contents) rise up again their equine oppressors. There’s some kind of magic paint involved and yet another character who wants to steal the Ponies’ home. Wash, rinse, repeat.
OH MY GOD. I DID IT. I SUCCESSFULLY SURVIVED SEASON ONE OF G1 MY LITTLE PONY. HOLY FRICKIN’ COW, I AM FREE. FREEEEEEEEEEEEEEEE!
[Dove: Really? It feels like the recap equivalent of being at Newark Airport. I know that eventually it will end, but I’ve no illusions it’ll be any time soon. (Dove is very bitter, in the space of two layovers, she spent 30 hours there.)]
Well, okay, as soon as this damn recap is completed, then I am free. Until we start season two. Which, from memory, is awful, possibly worse than season one.
But holy shit I am celebrating now, because this has been a very long slog. How many years ago did we start this, Dove? How much have we aged and how bitter and more jaded have we become, due to this cartoon?
Honestly, it’s been an honour to suffer (alongside Dove) through what seems like hundreds of hours of bad plots, terrible writing, subpar animation, insufferable Ponies, cartoon teen girls with white savior complexes, MAGIC THAT HAS NO EXPLANATION WHAT SO EVER, and then there was that episode with the red ball. God, I’m never going to get over that particular nightmare.
Throw in some heavy handed topics like drug use and predatory grooming, plus all the times the writers botched the moral messages… it’s amazing Dove and I didn’t give up. (Dove still has two episodes to go, appropriately entitled “Through the Door”.)
Okay, focusing in on this final installment, this is one I partially remember, at least in concept. I kind of don’t want to say anything because it is a wild concept — just look at the title — and leave it all for a surprise for those that haven’t seen it. I will, however, leave you with a cartoon from The Far Side (which I read constantly as a child and probably explains some things) which has always reminded me of this particular episode:
[Dove: This is the one episode I actually remember. Well, except for the one where the travelling fair comes to town and… something happens. In my games, a witch stole everyone’s magic and symbols and the ponies were so upset, they couldn’t bear to look at themselves without their beautiful symbols, so they wore robes to hide them (a nice scarf my mum never wore, cut up rather roughly with her best dog trimming scissors). Eventually Strawberry Fair saved the day with super Mary Sue powers. But that never happened in the show.
Anyway, back to this episode. I seem to remember this being a fun idea in concept, but since it’s MLP, it’s bound to be terrible in execution.]
Summary: So, the Unicorns were winking because that’s how they roll, except that when they winked out, they never winked back in. A city called Tambelon disappeared 500 years ago, and somehow when they winked, they ended up there. It might have been explained, but I’ve been recapping this series for nearly a year now, and very rarely is anything explained.
Then Grogar, a pissed-off goat who lived in the city of Tambelon, rocked up and pony-napped a load of ponies. Megan had a psychic dream. The ponies saved themselves, and Megan rocked up at the last minute to take credit for it. Just as they were about to leave through the city gates, Grogar showed up again to capture them once more.
Peach Blossom (I think), a Flutter Pony who acts exactly like Wind Whistler, saw everything and told the rest of the ponies. And Danny and Molly.
In a shocking turn of events, there was no song in Part 2. My gast is well and truly flabbered. [bat: It was (allegedly) cut. It was supposed to be between where Megan was sitting around the fire with her siblings and the Ponies and then she’s suddenly standing and talking to Danny.]
Finally, I think Tambelon sounds like a sanitary product. The kind that helps you wear white jeans and go roller skating with a cute boy and a dog, while some very now pop music plays. (I may have just had a flashback to the Dr Alban ‘It’s My Life’ tampax advert here.)
I will refer to My Little Pony: Friendship is Magic as FiM, to save typing it all the time.
I don’t really have any. bat tweeted that Tambelon was not what she thought it was. So I’m intrigued. At this point, I haven’t watched any of the four episodes (I’m going to batch watch them), but I’m guessing this won’t be as good as the FiM Crystal Empire plot.
Summary: The legendary city of Tambelon returns after 500 years, resulting in missing Unicorns before the villain Grogar invades Dream Valley, bent on revenge against the Ponies. The usual nonsense follows. Enter White Girl Savior Megan, to form search parties and sing sad songs about unicorns.
IS THIS SERIES NOT OVER YET?
Yep, Dove and I are back for yet another recap of what I’m just going to go ahead and predict as a terrible episode (how can something/someone return if you’ve never fucking heard of them before??) but I did realize that this screen cap from Bright Lights is my new favorite representation of the toll this series has taken on Dove and I. Once… once we were happy and excited.
Now? Not so much.
Dove had the honour of recapping episode #25 and suffering through a plot line that left a bad taste in both our mouths. Like, it was bad. I know the bar is set below the crust of the Earth at this point but we still have a generous twenty-five episodes left of season 1.* (Well, okay, we’ve already recapped Rescue from MidnightCastle already, so technically just 23 episodes to go!)
Face it: Dove and I are still traumatized from Flutter fucking Valley. A GoFundMe will be set up for our eventual need for treatment and recovery. [Dove: That’s a good picture. I often do have pink hair. And dead eyes.]
As I mentioned, this episode involves Tambelon (I keep typing Tamberlan? ??? I don’t even know why??) and his/her/its alleged return. We’ve never met him/her/it and fuck knows why he/she/it would want to return to Dream Valley, unless (like every “villain” before him/her/it) he/she/it wants to steal and rule it as some kind of third-world dictator. I literally don’t know what Tambelon is. I’m assuming it’s the villain? Who knows.
You know what I’d rather be watching right now? The 3.5 hour fan edit of David Lynch’s film version of Dune. And I fucking hated Dune because the officially released film version never works / makes sense story-wise for me. Hell, I live an hour away from where Herbert got his inspiration for Arrakis and I still have never actually read the first novel* (bite me) but even the original film makes more sense then these damn cartoons.
(I didn’t run out of Vikings episodes to watch yet; I just need a break. I can only take so much of that, knowing what’s going to happen to Ragnar. And season 5 just ended; talk about a shitty cliff hanger to end on!) [Dove: I ran out of South Park. I’m on Catfish now.]
Okay now that I’ve rambled on and complained myself out, time to lock in and start recapping this clusterfuck. Shall we?
Summary: Based on the classic novel, Dumas’ story of the young Gascon d’Artagnan who goes to Paris to become a Musketeer and serve the king, and how he befriends Athos, Porthos, and Aramis, and they have to save the king of France from being assassinated. Only this version is extremely Disney-fied!
Tagline:All for one and one for all!
Though, honestly, the other two that were used for a poster and video packaging, respectively, crack me up:
A place of betrayal. The fate of a king. A time for heroes. (Considering this movie wasn’t even filmed in Paris, let alone in France…)
They’re Scoundrels, Playboys, Outlaws . . . The Greatest Heroes Who Ever Lived. (This literally sounds like a MCU tagline. All those things describe Tony Stark.)
Book!Aramis was a complete playboy scoundrel and the Musketeers technically turn outlaw… I’m lost on the “place of betrayal” part, though.
Note: I have seen this movie many more times than an average viewer. Something like 75 times, at least 3 times in an actual movie theater, during its original release. Yes, I have a problem. A problem named Sutherland.
Oh, and I will likely make the distinction of book!CHARACTER to keep them separate from the film version, through out the recap. Because book vs movie is rather important to understand how much different the version you’re watching is compared to the actual novel.
The 1990s were a weird time for movies churned out by Disney. Instead of a bunch of animated films (this was just when Pixar really kicked into gear, but who really remembers A Bug’s Life?) they were releasing a bunch of family-friendly live-action films. Stuff like White Fang, Wild Hearts Can’t Be Broken, The Rocketeer, Newsies, [Wing: Newsies is one of my favourite movies!] The Mighty Ducks (and its subsequent sequels [Dove: Bagsie I get to recap them!]), and Hocus Pocus, to name a few. [bat: Okay, Wing recap Newsies, Dove recap Mighty Ducks, and I’ll recap Hocus Pocus! THEN WE CAN CROSS-COMMENT ON EVERYTHING!]
The first three years of the 1990s saw only four animated films released compared to 14 live action films. Granted, animated movies take longer, so that’s probably why. Even today that’s still true, although computer animation is much more widely used compared to the tiny bit we were all dazzled by during the ballroom sequence in Beauty and the Beast in 1992.
Also of note would be the part where Disney was pulling from classic literature and interesting life stories. Wild Hearts Can’t Be Broken is based on a true story; White Fang is a Jack London novel. There were real news boys in NYC and they held a strike in 1899 but I don’t think they sang and danced while doing it. [Dove: I have only just got a copy of this, because it’s called “The News Boys” over here. I have no idea why the name was changed, but Dean Portman from Mighty Ducks will sing!] [Wing: His role is fairly small but completely delightful. Oh, god, I could talk about Newsies for hours. Carryin’ the banner, y’all.]
Alexandre Dumas’ The d’Artagnan Romances, which is the encompassing name given to all the stories Dumas penned about the 17th century musketeers and their adventures, is really, really long. Most people are familiar with The Three Musketeers, the first of the stories that runs sometimes over 700 pages in length, which introduces us to d’Artagnan and tells the story of how he becomes a member of the King’s Musketeers.
Like Disney was going to actually stick to the actual story. Based on real events and persons, it is not… shall we say… “family friendly”. There’s a ton of intrigue and romantic/sexual affairs, and murder plots, all set within the court of King Louis XIII of France.
There’s also about a billion and a half (slight exaggeration) characters with enormous French names and titles. Keeping track of it all is only slightly less harder then knowing who’s who on Game of Thrones. It’s taken me a long time to really understand it, and that’s just based on half-hearted effort to read wiki articles and such, and admittedly it interests me to a fault. Your average reader? Probably not so much.
So, Disney being Disney, stripped the story line down to its basic and most “family friendly” elements. Gone are the Musketeer’s menservants, gone is Kitty and Constance’s husband, no one needs you Monsieur de Tréville! (Who is actually awesome in the BBC’s adaptation, The Musketeers.) Everyone else was either toned down or given amped up traits: Athos is the serious broken-hearted alcoholic, Porthos is the larger-than-life comic relief (although he is in the book, as well), and Aramis’ philandering ways are severely reined in.
Which, in light of what happened with Charlie Sheen, is rather funny in a dark way. Sutherland’s legal troubles with DUIs would happen after this film, so again, life and art have many blurred lines.
There’s a lot more I could get into about all this but I’d rather incorporate it into the recap, so there’s some reference that can be of aid to you, readers. It’ll help, trust me.
One last thing: most of the main cast had either previously worked for Disney at some point or subsequently went on to do something else with them after this film. Basically, once you get in bed with the House of Mouse, you never really get out again. (Well, Sheen might be the exception…)
Onward! To the recap!
[Dove: I love this movie. Oliver Platt is awesome, and I swear to god, he played this role as if he knew that gifs would be a thing one day. Also, Michael Wincott is probably my longest-running crush. He’s wonderful.] [bat: Dove, you REALLY must see Forsaken. Wincott saves that movie from being a total bore.]
[Wing: This movie is so much cheesy fun, and also full of attractive people, or at least people who are attractive in this movie even if not elsewhere.]
Summary: A narcissistic pig named Porcina has ponynapped Heartthrob, Gusty and Lickety-Split with the intent of shaving them and fashioning their hair into a magic cloak so she can turn everything into glass, so she can look at herself all the time. Because apparently you can’t buy mirrors in Ponyland. And the word “mirror” is synonymous with “glass”. The ponies have had makeovers that make the bright red Mimic custom project look like a good idea, and Porcina intends to turn all of Ponyland into glass.
I will refer to My Little Pony: Friendship is Magic as FiM, to save typing it all the time.
Summary: The eponymous “Brotherhood of Justice” starts out as a well intention’d group of teenagers taking a stance against crime and drug use happening in their high school, but dissolves into much darker territory quite quickly.
Tagline: In this town if you deal or steal, you die… That’s a promise from the Brotherhood.
Note: This was a television movie that aired on May 18th, 1986. It’s 32 years old today. Also, you can find it uploaded to YT, if you wanna watch it.
In my continuing quest to be the world champion of Trivial Pursuit: Kiefer Sutherland Edition (Announcer Voice: “She was the only one playing.”) I figured we’d delve into yet another one of his films. This one isn’t as well known as others; granted, quite a few of his films are terrible and/or forgettable, so there were plenty to choose from.
But no. No, I chose Brotherhood of Justice.
Back when the internet was new™ and I was just beginning to use eBay to amass a collection of VHS tapes of his films, I stumbled into Brotherhood of Justice. Partly because in the lead role is none other than Keanu Reeves, another actor who basically ruled my pre-teen years via movies. (Wyld Stallynsforever!) Anyway, here is a film that has two of my favorite actors ever in it, was filmed in Santa Cruz, CA, and aunt Becky from Full House, too? SIGN ME UP!
Over the years, with both Reeves and Sutherland becoming much more higher profile in terms of careers, the packaging on this film has become absolutely bat shit bonkers. Brotherhood of Justice seems to be included on those “14 movies on one disc!” collections you find in the reduced sales bins at Kmart or Walmart. And it’s always marketed as a vigilante film — which it is — but then the packaging artist uses photos of them from, say, when they were in their mid-20s and it’s an outright lie. Or they use photos from The Matrix or thereabouts and 24 and I’m like literally standing in the aisle, pointing and screaming “LIES! ALL LIES!”
To explain, I must start from the beginning. The television film, which is what this is so don’t go expecting anything spectacular production-wise, is based on true events. In 1984, a group of young males formed “The Legion of Doom” at Paschal High School in Fort Worth, Texas. A group of privileged white boys from wealthy backgrounds decided to become their own justice system and, duh, went way overboard and really, this might as well be set in 2018, things haven’t fucking changed.
Anyway, you can read more about that here and here. As part of their sentences, the members of “The Legion of Doom” were not allowed to be involved with or sell rights to their story. Did that stop Hollywood from capitalizing on the story? Nope. I’m currently recapping a fictionalized version, so obviously not.
As I said before, when both actors’ careers took off, this one was dragged out of the vault and received weird packaging to capitalize (yet again) on people (like me) who liked their work. You can see it also (for a time) received a weird title change — High Voltage — which I cannot explain. I can’t find anything online to tell me why they titled it that, either.
BUT. I can tell you that the photos on the backside of the VHS box (photo on the right) come from Point Break, Flashback (at least I think so? It’s not Flatliners) and that bottom one of Keanu is from Permanent Record (which was filmed in the city of my birth and I promise it, too, will be recapped in the future.) So basically NONE OF THE PHOTOS ON THE BOX are images from the actual television film. LIES! ALL LIES!!!
Even the DVD artwork is all lies. It may be titled Brotherhood of Justice on my copy, but I’m pretty sure the photograph of Sutherland is from Flatliners and the one of Keanu could be River’s Edge, though I’m not certain. Still lies. Still has zero to do with the film.
Okay, moving forward, I should add that in addition to Lori Loughlin, Billy Zane (when he still had his own real hair) shows up, and also Gary Riley, who played Charlie Hogan in Stand By Me. (Another 50 billion points for me in Trivial Pursuit: Kiefer Sutherland Edition!) It was filmed in Apatos, CA, in Santa Cruz, too, and features scenes at the Boardwalk. It’s a much different feel, the Boardwalk scenes, compared to the ones in The Lost Boys.
Summary: Two skateboarding gangs “battle” each other for supremacy and it’s complicated by romance. That’s basically it.
Someone on the internet actually likened this to “West Side Story on skateboards”.
I don’t think so.
Tagline: Hot! Reckless! Totally Insane!
(I find it hilarious anyone would find this film ‘hot’.)
Note: I watched this for the first time probably somewhere around 2009? So I have a general memory of it.
Skateboarding was still a huge thing when I was a child, mostly because it was starting to be taken seriously and tricks/stunts were getting a lot more complicated. So Hollywood attempted to cash in on it by making a movie about it. A lot of the “extreme” (read: for the time) sports/activities in the 1980s had films made about them: BMX bikes, there’s probably a dirt bike movie I don’t know about, break dancing, flash dancing, dirty dancing…
Wait, Dirty Dancing is set in the 60s, right? (No, I have never actually seen it.) (YOU CAN’T MAKE ME.)
Originally Johnny Depp was set to play Cory, since he was conveniently dating Sherilyn Fenn at the time, but because he was Johnny Depp and on 21 Jump Street at the time… Well, the producers didn’t approve him so the role was recast with Josh Brolin.
Viewing this through hindsight, I honestly would have had a difficult time believing Johnny Depp could ride a skateboard, let alone do what would need to be done to make it remotely accurate and/or interesting.
According to Wikipedia, Brolin had been offered the role on 21 Jump Street that Depp was ultimately cast in, but turned it down… to what, make this? Kind of a dumb ass move. But, then history would be way weirder, so okay.
It’s hard to convey how huge this movie was for the time. It featured actual pro skateboarders who would become household names; you probably know Tony Hawk. There was also Tony Alva (go watch Lords of Dogtown), Christian Hosoi, and Steve Caballero. The soundtrack featured many amazing bands and singers; freaking Red Hot Chili Peppers (the original lineup with Hillel Slovak) are featured as a band in the film.
And, because this will get Wing’s attention, the titular theme song, Thrashin’, is sung by the one and only Meat Loaf! (I don’t think there was a music video for it; this was the best I could find.) [Wing: Well, this certainly did get my attention, and means I need to watch this damn movie immediately and then come back and read the recap. Having watched this video I am … excited. That’s a word.]
I’m gonna add that the only real reason I ever went to dig this film up was because it was the film debut of Brooke McCarter (aka vampire Paul in The Lost Boys) and not because I’m actually interested in skateboarding. I’m not. I had a skateboard once, with Snoopy on it, but I haven’t got the best balance and I’m terrified of injury, so I never really used it much. But I always thought skateboarders were hot. I think that’s common of many of us who were born in the early 1980s. It’s a thing.
(Though, really, go watch Lords of Dogtown. It’s more character-driven and based on real-life people, and is a really interesting film.)
Summary: No website can agree on an “official” synopsis of this film. Let’s just say it’s a “rom-com” before that was a thing, and it’s really… strange.
Tagline: Sometimes acting crazy is the only way to stay together.
Note: I found this on YouTube. I believe it is still there; this is a hard film to find, except maybe on VHS tape. So, what I’m watching isn’t the best in picture quality, but I’ll live.
Happy Valentine’s Day, y’all! It’s kind of fitting that I ended up aiming to post this recap on the one day of the year that we’re all pressured to be romantic and shunned if we don’t have a partner. Crazy Moon is one of those “super quirky in an obvious way!” kind of films that I don’t think intended to be a “super quirky in an obvious way!” kind of films.
‘Weird’ is the adjective I keep using to describe this film to everyone I know. It’s a hot mess and needed a better director, writer, and editor. I see so much I want to fix. It’s painful how much I want to fix it.
Because of its age (32 years) and the fact that it was so low budget and is technically a foreign (Canadian) film, information is…lacking. I’m cobbling together what I can from four websites. Talk about frustrating.
A bit of back story: Kiefer Sutherland, who most of you probably best know as Jack Bauer (or in the case of Dove and Wing, as David of The Lost Boys), wasn’t well known until the mid-80s. And even then he’d done more theater then film. Literally his first acting job in the United States was Stand By Me, which he thought he failed at and was convinced he’d doomed his career over. Yes. Amazing, isn’t it.
So. Somewhere between 1985, when Stand By Me was filmed in Oregon and California, and 1986, when he went off to Santa Cruz to film The Lost Boys, he made Crazy Moon in Québec, Canada. Why do I know this? His hair. His hair is the same color as it was in Stand By Me, although longer. And he’s way too tan, which was because the hoodlum gang got frequently sunburned while filming the car scenes in Stand By Me.
Yeah, I am a strange font of even stranger knowledge but I would hands down win “Trivial Pursuit: Kiefer Sutherland Edition”.
Plus, he’s super young. Maybe 19, probably closer to 18, because he was only 20 when he filmed The Lost Boys. Honestly, it wouldn’t surprise me if he filmed this beforeStand By Me, but I swear the info I can find is conflicting in every which way. The film appears to have been theatrically released in Canada in 1986, but wasn’t released theatrically in the US until December 1987, in a bid to capitalize on Sutherland’s sudden fame after The Lost Boys was a box office hit that July.
Ironically, the character in Crazy Moon is a complete opposite of David in The Lost Boys, although I think he talks even less in Crazy Moon.
Honestly, I would try to summarize the film, but I don’t want to. I think I’ll leave it all for the recap.